Chris Hawkins
The immediacy of the raku copper fuming process influences how I work; striving to create a balance between tightly thrown form and the unpredictability & vibrancy of the fumed copper surface.
I work from my studio which is set in 6 acres of woodland, it is an artist’s paradise having been largely left untouched with water meadows and ponds creating a haven for wildlife and is one of the inspirations for my creativity. The land runs along the banks of the river Tamar, a steep sided valley which serves as a border between Devon & Cornwall in the Southwest UK.
The Tamar Valley has a long mining history and is well known for its industrial heritage, parts of the valley are designated as a ‘Site of Special Scientific Interest’, it also sits in an ‘Area of Outstanding Natural Beauty’. The area has also been designated as a UNESCO World Heritage Site as part of the Cornwall & West Devon Mining Landscape. My studio sits within 100m of a deep adit for ‘Ding Dong’ mine that was once mined for the same sort of minerals that I use in my glazes today.
GALLERIES
Jarva Gallery - Whaley Bridge, High Peak
Jarva Fine Art - Buxton, Derbyshire
Northern Lights - Keswick, Cumbria
OCG Arts - Ambleside, Cumbria
Galleria Luti - Callander, Scotland
Serena Hall Gallery - Southwold
Hackney Muse - London E8 3RL
Leaping Hare Gallery - Easingwold, York
SHOWS 2024
23 - 26 August - Contemporary Craft Show, RHS Hyde Hall, Essex - www.craftinfocus.com
Hand thrown round bottle made by Chris Hawkins
A round bottle with detailed neck, it is a deep blue green turquoise with stunning copper lustre licking around the bottle showing where the flame has reduced the glaze to bring out the stunning copper colours, it is a shiny glaze.
16.5cm Tall x 13cm wide
Raku fired in rich turquoise glaze with copper lustre Raku finish, it is fired in a small gas fired kiln and taken out at temperatures around 1,000 degrees centigrade. It is held in the air for a few moments waiting for the ping of the glaze starting to craze, once this happens it is very quickly covered in sawdust and buried to allow the pot to cool slowly and absorb the smoke created from the sawdust igniting once the red hot pot is placed onto it.
When it has cooled the pot is uncovered and the smoky carbon layer is scrubbed off to show the deep rich turquoise and, if you are lucky, flashes of copper lustre.
Each pot is totally different and unique.
RAKU IS NOT SUITABLE FOR FOOD OR WATER.
TO PRESERVE THE LUSTRE EFFECT KEEP OUT OF DIRECT SUNLIGHT & DAMP AREAS
IT IS NOT FROST-PROOF AND SHOULD NOT BE KEPT OUTSIDE.